Petre Otskheli's sketches not only speak of his broad imagination, technical virtuosity and deep thinking as an artist, but also refer in general to Georgian theater and cinema of the 1920s and 1930s, as well as universal contemporary avant-garde art.

Nikoloz Kandelaki is one of the most outstanding representatives of modern Georgian art, and the development of realistic sculpture in Georgia is associated with both he and Iakob Nikoladze. In addition to his creative genius, Kandelaki was a brilliant educator. He founded the Kandelaki School, where numerous gifted Georgian sculptors honed their craft. His impact on Georgian sculpture was deep and enduring. Born in the village of Kulashi in 1889, Kandelaki attended school in Kutaisi, moving on to pursue his studies at the Leningrad (St.Petersburg) Psycho-Neurological Institute. His medical education provoked his interest in the structure of plants and the human body.

In the history of Georgian repoussé art, the 17th century represents a significant period, marked by the establishment of a goldsmith's workshop amid the challenges and upheavals of the era. The workshop, founded by the prominent Prince of Odishi (Samegrelo), Levan Dadiani, a distinguished figure of the time, has garnered considerable interest. To what extent did the strained family relations within the Dadiani family affect the works produced in this workshop? It is worth recalling how he treated his first wife, the daughter of Sharvashidze. Without apparent reason, he accused her of betrayal, having fallen in love with Nestan-Darejani, the beautiful wife of his uncle, Giorgi Lipartiani. Subsequently, he abducted his aunt and married her.